Date: 2012 Posted by:James R. Ford Cast: Not given Credits: Produced by James R. Ford Duration: 1.30
A few months ago it was reported that US programmer Jesse Anderson had set up a virtual set of some millions of monkeys (using Hadoop), all of them tying at random on virtual typewriters, and had managed produce something that was 99.99% Shakespeare – the first text to be achieved in this way being ‘A Lover’s Complaint’. Anderson had cut corners however, because every time the random typing came up with words that roughly matched something from the Shakespeare canon then they would be retained, if not then discarded. With this and other constraints, Anderson could achieve his goal. The purely random production of Shakespeare by an infinite number of monkeys remains something for the philosophers and theoretical mathematicians.
Or for a videomaker. This droll piece, made by British artist James R. Ford, is an extract from a 9 minutes 8 second loop (therefore designed in principle to run forever). It shows us a woman in a monkey suit, typing Shakespeare, as the tags to the video tell us, because otherwise we would not know (a photograph of the typewriter on the artist’s website indicates that only gibberish has been produced – so far). Is is a Shakespeare video? I say that it is – and so it is (and just to make the point this post has been tagged with all of the plays and poems). A video to watch, infinitely.
Jesse Anderson explains more about his project on this video:
Date: 2010 Posted by:historyteachers Cast: Not given Credits: Not given Duration: 3.18
History for Music Lovers is a YouTube channel put together by a couple of history teachers from Honolulu with the intention of making the teaching of history of fun. They take historical events and figures, and put them to re-worded versions of pop songs with appropriate vidoe to match. Goodness knows how it is resourced, but the results are great fun indeed: Leonardo Da Vinci and the Beatles’ ‘Dear Prudence’, Roman history told to ‘Mambo no. 5′, the French Revolution to Lady Gaga’s ‘Bad Romance’, Elizabeth I to The Zombies’ ‘She’s Not There’, and – sure enough – William Shakespeare sung to a version of Blondie’s ‘Shayla’. It’s not one of the best of the series, and it doesn’t tell prospective students much beyond the titles of plays, but what the heck?
Also in the series there’s Marianne Faithfull’s version of ‘As Tears Go By’, rewritten to tell the story of the Battle of Agincourt, with scenes from Kenneth Branagh’s Henry V: